Charlie Kaufman breathes life into the odd and delightful stop-motion world of ‘Anomalisa’

Charlie Kaufman breathes life into the odd and delightful stop-motion world of ‘Anomalisa’

anomalisaposterTouring as a selection at numerous film festivals worldwide, Paramount’s acquisition, Anomalisa, might just lift the Academy Awards animation category a notch higher, stirring some competitive buzz against Pixar’s and Ghibli’s probable entries.

Screenwriter-turned-director Charlie Kaufman, known for mind-boggling and inconceivable contemporary masterpieces: Eternal Sunshine of the Spotless Mind, Adaptation, and Synecdoche, New York, ventures into the world of stop-motion — an approach known to be too demanding for mainstream filmmaking. Will Kaufman’s pursuit to transcend being echo in the method he chose or will he be muted and end up disappointing audiences? We surely hope it’s the former rather than the latter.

Anomalisa’s poignant and multifaceted genius deals with the complexities of being human: from the painful adversities of affiliation, labor, and estrangement, to questions of solipsism (theory that the self is all that can be known to exist) and existentialism. Arranged to strike a balance between comedy, drama and mental anguish, Anomalisa has been known to give “under your skin, won’t make you stop thinking” creeping feelings worldwide.

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“What is it to be human, to ache, to be alive?” — The trailer leaves this question to its audiences as it harbors high hopes for its release right in the peak of Oscar season, January.

https://www.youtube.com/watch?v=Xg8MtJv2Oec

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