Last December 13, Fully Booked U-View, in cooperation with Juan.com.ph, kicked things off into high gear for the latest batch of New Wave Student &
Category: Reviews
Starry Eyes
Starry Eyes begins with a deceptively auspicious start—an obsessed starlet (played by Alex Essoe) stumbles to her first acting job—relying on studious atmospherics that evoke
#TWD 5.8: “Coda”
The collective effort that The Walking Dead took in order to up the ante for its fifth season is, it can be said, squandered, with
Grace of Monaco
According to the crimson text that opens it, Oliver Dahan’s Grace of Monaco is “a fictional tale inspired by real events,” and in sitting through
#TWD 5.7: “Crossed”
The fifth season of The Walking Dead has so far been a whirlwind, with consistently solid episodes that keep formidable emotional groundings. It helps that
A Nightmare on Elm Street 2: Freddy’s Revenge
It is from the fest circuits of ’04 and ’05 that Paul Etheredge-Outzs’s film Hellbent is unwarrantedly announced as “the first homoerotic slasher.” However, cultists who
Nightcrawler
It is interesting that when Rick (Riz Ahmed) nervily assesses his employer—“your problem is you don’t understand people,” he notes—Louis Bloom (Jake Gyllenhaal), the employer
Hindi Sila Tatanda
Malay Javier’s Hindi Sila Tatanda is an indulgent play at sonic and visual euphoria. The film has earned that merit. It is technically subversive, too;
#TWD 5.6: “Consumed”
Carol’s transit from small to major character is, as is the normality in the series, especially ugly, having to witness the true death of her
“Set Me Free” by Dillon Francis & Martin Garrix
The title of the album from which the terrific electro-house banger “Set Me Free” is released could not be any more apt: Money Sucks, Friends
The Babysitters
Being a film about a pair of swindlers, Paolo O’Hara’s The Babysitters begins with an auspicious prelude in which a caroller drones sarcastic lyrics to
#TWD 5.5: “Self-Help”
The Riddle of Samson—“out of the eater, something to eat; out of the strong, something sweet”—is cited towards the end of “Self-Help.” It can be
#TWD 5.4: ‘Slabtown’
At last we arrive at Episode Beth (Emily Kinney)—the arc for which you and your meme generators have been in keen anticipation. The episode, titled
#SinengPambansa Horror Plus Film Festival is no Oz, all Kansas
Be cautioned of three-quarters of this year’s edition of Sineng Pambansa Film Festival, brazenly subtitled with ‘Horror Plus’ like it had been last year with
The Book of Life
The pleasures of The Book of Life is found both in and outside the brackets. The story [within the story (within its story)] may be
#TWD 5.3: ‘Four Walls and a Roof’
“Four Rooms and a Roof,” the stirring third episode of fifth-season The Walking Dead, marks what looks to be a dramatic swerve for the series.
V/H/S: Viral
The V/H/S films, as ever true in horror anthologies, are met with timid reception; they are at best uneven compilations of short feature-works by up-and-coming
#TWD 5.2: ‘Strangers’
The Walking Dead tends to grow laborious at times and it often does when its principal characters are gathered in a group. So it is rather
#TWD 5.1: ‘No Sanctuary’
The human race commit atrocities it eventually forgets. For whatever reason the thought lingers as I watch the fifth season premiere of The Walking Dead
