Engelbert Rafferty reviews Lkhagvadulam Purev-Ochir’s debut film ‘City of Wind’. It premiered in this year’s QCinema as part of the ‘New Horizons’ section. Spoilers are
Category: Theatrical Release
Faithful Frames: a review of ‘Divine Factory’ and the spiritual significance of The Sleeping St. Joseph
There is a holy item that was mostly talked about in the entire film, which is called “The Sleeping St. Joseph”. According to the Holy
Solids by the Seashore (2023) review: the tides of liberation
John Tawasil writes about Patiparn Boontarig‘s ‘Solids By The Seashore’. The film is part of the Asian Next Wave competition at the QCinema International Film
‘Women from Rote Island’ (2023) review: female resiliency at its finest
Ela Bicera writes about Jeremias Nyangoen’s debut film which tackles the abuse that Women from Rote Island experience, and their resiliency to fight back. Spoilers
All of Us Strangers: Power of Queer Love
Roy Narra writes about ‘All of Us Strangers’, Andrew Haigh’s heart-shattering adaptation of Taichi Yamada’s novel, Strangers. Spoilers are present in this review. Is it
‘Perfect Days’ is Wim Wenders and Koji Yakusho’s most important work
Princess Kinoc reviews Wim Wenders’ ‘Perfect Days’, under the Screen International section of QCinema 2023. Some spoilers may be present in this review. I have
Napoleon (2023) review: Phoenix doesn’t fall short in Scott’s latest (stretched) epic
Roy Narra reviews Ridley Scott’s latest epic ‘Napoleon’ starring Joaquin Phoenix in the titular role and Vanessa Kirby as his wife Josephine. Showing in PH
Poor Things (2023) review: Unfolding the catharsis in self-discovery, pleasure, and choice
Poor Things (2023) is the official opening film of QCinema 2023.
Five Breakups and a Romance (2023) review
This review contains minor spoilers “You wouldn’t like me in the Philippines,” fashion designer Justine (Julia Montes) told medical student Lance (Alden Richards) in front
‘Killers of the Flower Moon’ (2023) review
‘Killers of the Flower Moon’ is Martin Scorsese’s adaptation of David Grann’s novel of the same name. Ela Bicera reviews the film and offers a
Toubab (2021) review: Laughing through labels
Fake it ‘til you make it. Nowadays, it’s no longer uncanny to talk about issues of homophobia and racism in comedies and so in Florian
The Ordinaries (2022) review: ‘Lights, Camera, Revolution’
‘The Ordinaries’ is one of seven films featured in this year’s Kinofest 2023, the German Film Festival. Sophie Linnenbaum’s satiric film takes meta-cinema with social
Republic of Silence (2021) review: Unveiling the heart of the Syrian conflict through personal perspectives
‘Republic of Silence’ is a powerful documentary that shows the Syrian conflict through personal perspectives gathered by Diana El Jairoudi and fellow activists for twelve
A glimpse beyond the corset: ‘Sisi and I’ review
Not to confuse you with the 2022 film Corset, ‘Sisi und Ich’ (Sisi and I) offers a different perspective of Empress Elisabeth of Austria, also
Unearthing family secrets: a review of ‘Hao Are You’
‘Hao Are You’ is a moving documentary on the history of the Vietnam war and how it coincides with the traumas a family has experienced
Elaha (2023) review: Challenging Norms, Redefining Autonomy
Elaha is a film that tackles more about the ‘female gaze’, but the incredulous ways women’s sexuality has been re-written in history by men. Princess
JFF Independent Cinema reviews: ‘Bachiranun’ and ‘Follow the Light’
John Tawasil reviews ‘Bachiranun’ and ‘Follow the Light’, two of the films featured in this year’s Japanese Film Festival – Independent Cinema. Yonaguni is the
‘A Muse Never Drowns’: navigating love and artistic expression – JFF Independent Cinema review
In ‘A Muse Never Drowns’, John Tawasil examines the many ways we draw upon our lives in the creation of art. This film is one
Lonely Glory (2022) review: the cost of success is a lonely pursuit
In ‘Lonely Glory’, Keitaro Sakon explores the inner turmoil of a twenty-something woman named Haruka, in her ambitious pursuit of success. Princess Kinoc reviews this
Acting Brilliance Meets Dark Comedy in ‘A Very Good Girl’, a spoiler-filled review
John Tawasil writes about Petersen Vargas’ latest Star Cinema film starring Kathryn Bernardo and Dolly de Leon. We have warned you about the spoilers this
Third World Romance review: Love in the midst of hardship
As a middle-class worker in Metro Manila, I find it funny that I paid around P370 to watch the talented Dwein Baltazar’s fifth film Third
Marupok AF review: Twisted truths and tangled tales
Don’t be fooled by the rambunctious laughter and collective groan Marupok AF (Where is the Lie?) produced when it kickstarted Cinemalaya 19 at the Philippine
About Us But Not About Us (2023), a Summer MMFF review
Two men dining in a restaurant in BGC and talking for 90 minutes sounds perfect for a stage play but not for the big screen.
HERE COMES THE GROOM (2023), a Summer MMFF review
The 1st Summer Metro Manila Film Festival would not be complete without a lighthearted, fun, campy comedy film, and Chris Martinez’ Here Comes the Groom
Creed III Review: A Knockout Debut from Michael B. Jordan
Creed III is one helluva knockout debut. Says John Tawasil in this review. The best sports movies aren’t actually about sports, but about how sports
